‘I definitely needed a lie-down after that!’ The most gripping episodes of TV of all time
The 2003 Spooks episode I Spy Apocalypse
This installment starts with the Spooks team confined while undergoing a drill concerning a fictional terrorist event, monitored by two government representatives. As things progress, it seems an actual attack has occurred with a chemical weapon released. The tension ratchets up as reports reveal a disaster happening externally, and escalates as the boss appears to be infected, and the government agents endeavor to depart, compelling the character played by Matthew Macfadyen to opt for either shooting them or allowing them to leave and risking contaminating the sealed MI5 offices. Given it’s Spooks, the outcome is expected.
The 1984 production Threads
Threads was low budget yet among the scariest shows I’ve ever seen owing to its grim authenticity and bleak government data. Saw it not long ago following the initial broadcast; I used to visit the pub in Sheffield shown in the series which emphasised the reality and the offhand factual official statements that aired. Remaining completely frightening after three and a half decades.
The 2022 Severance episode The We We Are
The concluding episode of Severance’s debut season ranks highly as a tense chapter. I remained for the whole show quite literally on the edge of my seat, pushing alongside Dylan to maintain his grip on the controls that allowed the Innies to remain active, while shouting to the Innies to disclose their facts. The final climactic moment – “she’s alive!” – resembled a outburst.
Industry – White Mischief (2024)
Episode five of the third series of Industry made my pulse quicken. I had to pause and get up and depart the area multiple times due to the immense extent of the wanton self-destruction I observed. Rishi Ramdani is in deep shit in his job and domestic life – buried in financial obligations to loan sharks due to his addictive betting, engaging in dangerous ventures with a bet on sterling which could lose his company millions. So of course, he goes on a gambling spree, uses copious drugs and alcohol and alternates between success and failure, is severely assaulted. Every time you think it can’t get any worse, it worsens. There’s hope of redemption by the episode’s conclusion but he misses the opening, with horrifying consequences during the season’s final episode. Definitely needed a lie-down after that!
Peep Show – Holiday (2007)
The series Peep Show isn’t typically anxiety-inducing. Yet the installment Holiday contains such levels of cringe that it will make you rise throughout the entire episode, filled with nervousness. The tension escalates when Jeremy and Mark realize needing to deceive regarding the dog they by chance collide with and following tries to eliminate it. You subsequently use the rest of the installment doubting if it can actually be more terrible than burning, and it can be!
The West Wing – The Two Cathedrals (2001)
Nothing I’ve watched has been more intense compared to my initial viewing the season two finale to The West Wing. The show opens with the fallout of the passing (in a road incident) of the president’s private assistant and builds to a peak with a situation in Haiti, and the fallout from the non-disclosure about the president’s MS condition, along with affirmation of his plan to seek re-election. Excellent TV. Unequaled.
The 2018 Bodyguard premiere episode
The opening of the British series Bodyguard, featuring the main character on a train with his young son, is for me one of the most intense episodes ever. He spots a Muslim woman entering the restroom and senses something is wrong. The bomb squad is alerted, board the train, and endeavor to coax the woman to discard her bomb jacket. Anxiety builds to a nearly intolerable level, until, finally, the vest is neutralized.
Buffy the Vampire Slayer – The Body from 2001
Buffy arrives at her residence to find her mum has passed away of natural causes, which is the least common kind of passing in this mystical program. The installment lacks any soundtrack, a sullen tone, and we witness the episode via the perspective of Buffy’s shock of discovering her mother.
The 2007 The Sopranos finale Made in America
The final scene of the final episode of the show was pants-wettingly tense. And if you viewed it when it first premiered, you – at the start – didn’t understand the cause. Tony’s adversaries, actual and perceived, were all overcome. Doesn’t this resemble the season one conclusion? “Think about the small elements.” Yet the atmosphere is strangely foreboding. Approaching Twin Peaks-esque horror. The family sit in a restaurant. Meadow stops the car. Tony gloomily informs Carmela difficulties are arising with an additional associate cooperating with the officials. Meadow secures a parking space. Odd persons arrive at the eatery. Stare at Tony(?) Meadow continues to park. Tony puts a record on the jukebox. Meadow finds a spot. The door chimes, a person comes in. It isn’t Meadow, she remains parking. Tony looks up. Keep going. It ceases. My heart dropped from my mouth around 20 minutes subsequently.
The Walking Dead – The Last Day on Earth (2016)
I kept late hours to see this show in the early morning. It was extremely gripping following the introduction of villain Negan finding the group, mercilessly mocking his targets and then keeping the death a mystery (finished with an unresolved situation). The point-of-view shot from the victim and the muffled sounds – ugh! {We then had to wait for season seven|We then needed to await season